Friday 25 March 2011

Getting my hands dirty

This week I worked on finalizing the layout of the letter pages of my book of which there will be 26 total. Using the content I have for letter 'F' and topic 'Facebook' and keeping swiss modernism in mind, I came up with both regular and reversed out options.



Then it was time to do some mocking up which meant time to finally tear up my encyclopedias. Since I don't plan to use any part of volume three for my final book, I'm using it to test printing and binding. To get some pages out of the book in tact, I found the center of a folio and snipped the thread holding it into the binding.


Then I trimmed a few of the pages down to A4 size and sent them through my ink jet printer. To my delight, both drafts turned out legible and the paper didn't jam. I'm thinking now of alternating both styles throughout. For my final book, I will trim them further to create a full bleed look.


I then removed the cover and binding from volume three.


I estimate my book will consist of about 32 pages or 16 folded pieces of paper. These will work nicely in two eight-page folios.


I slapped some tape on this version to bind it but for my final, I want to speak with a printer about my options. I'm hoping I can get someone to perfect bind it for me but I may have to explore coil or ring bindings.


Next week: more content, more layout!

Tuesday 22 March 2011

If you don't like it, don't look

Advertising is all around us in various shapes and sizes. In my mind, the purpose of it all is to introduce and promote a consumable product to the consumer. Good advertising has a specific target audience in mind. That audience is researched thoroughly and the advertiser designs the creative look and message with the audience in mind. It is then tested with members of that demographic before being launched. The final product should resonate with the target audience. It should speak to them directly and encourage them to act. Good advertising doesn’t lie. 

When an ad campaign is accused of being offensive or inappropriate – overly sexual, culturally insensitive, too violent, etc. – I’m definitely not the first one to grab my pitchfork and join the lynch mob. First of all, if this is a ‘good’ campaign based on my criteria above, then the creator of these ads was hoping that they would speak to a certain audience, not offend them. What’s offensive or inappropriate is completely subjective and if you don’t like an ad that you see, it probably means that that ad wasn’t intended for you.

But then there is also the argument that these ads are placed in public places and everyone is subjected to their message. I approach this dilemma with a passive attitude. There are definitely ads out there that I find disturbing and would rather not find myself looking at. Some are product ads but many of them are for public service campaigns. Transport for London’s “Don’t let your friendship die in the road” campaign is one example. I really don’t appreciate looking up from my book during my daily commute and coming eye to eye with a dead teenager. Although it upsets me, I would never argue that these ads should be taken down. Though I do not benefit from this campaign, its target audience might.


As a student of communication studies as well as a mass media consumer, I believe that it is the job of the audience to choose which messages they digest and which they ignore. To paraphrase an old cliché, if I saw a poster on the underground saying “Go jump off a cliff. Everyone is doing it.” would I go right out and do it? No. Because I was born with a thinking, reasoning, rational brain and some common sense - just like everyone else.

In his manifesto, First Things First, Ken Garland discusses the graphic designer’s role in advertising. He argues that product advertising promotes “trivial purposes that contribute little or nothing to our national prosperity” and essentially that designers’ talents are better spent creating “useful, lasting and democratic forms of communication”. Personally, I agree with him. In my design career, I hope to be able to support myself creating social marketing and public service campaigns. However, there’s a lot of creativity and innovation to be found in product advertisements and I don’t judge designers who choose to go into that field. I think it’s a personal decision every designer has to make during their career. At some point you have to ask yourself what types of messages you want to communicate.

Wednesday 9 March 2011

Jean shorts

This illustration was inspired by something my housemate said while we were shopping at thrift stores on Brick Lane yesterday.

Monday 7 March 2011

Down with over-packaging

When it comes to product packaging design, I think sometimes less is more. Multiple layers of packaging not only frustrate the conscious consumer, they also make them feel guilty for supporting the creation of excessive waste. Packaging should be practical, recyclable and enhance the product being sold – not completely cover it up. If it’s a quality product, it should be able to stand mostly on its own.

One area of the retail sector that I think completely misses the mark when it comes to packaging is supermarket produce. When I visited my first UK grocery store, I was pretty shocked that almost all the fruits and vegetables were pre-packaged. When you think of produce, you want fresh, straight from the farm, just picked. Not bagged, bar-coded and shrink wrapped. To me, the displays at my local Morrison’s, ASDA and Tesco just scream processed.


My first assumption was that there are some laws or regulations in the UK saying that produce must be sold this way, but I couldn’t find anything to back this up in my research. It would appear that some prefer pre-packaged produce. Pre-washed or already prepared products are convenient and save time. It comes across as more sanitary than lose fruits and veg that are free to be touched, squeezed or sneezed on before being thrown back in the pile. I would also assume it’s easier for the retailer to process at check out as the items are already weighed and priced. Though I think these are valid arguments, I would say they do not outweigh the negative impact over-packaged produce has on the environment and my appetite.

 
When it comes to creating a successful retail environment for produce, I think the key lies in interior and display design. Though I can’t yet afford to shop there (one day!), I absolutely love to browse the produce section at Whole Foods. Mimicking the feel of a local farmers market, the displays are meticulously arranged with highly polished product piled up in unique, rustic-looking baskets, crates and boxes. Yum!

 
Resources:
http://www.guardian.co.uk/environment/2009/feb/17/recycling-supermarkets-packaging
http://www.notcot.com/archives/2009/06/whole-foods-pro.php

Beneath Waves logo drafts

A logo concept I came up with for my friend's crafting business:

Friday 4 March 2011

Design Project B: Layout options

I started thinking about how I could lay out the opposing bits of information for each topic of my book. I need it to look organized yet chaotic and still prove my point. Typography will be the main star of the book and I'm very much inspired by the Swiss modernists' applications. I also thought it would be interesting to lay out my book using a technique created in the same time period as the encyclopedias were published.

I took a look at the works of Karl Gerstner, Siegfried Odermatt, Carlo Vivarelli and Josef Muller-Brockmann to name a few as well as found some interesting use of word collage online:


I was particularly drawn to the work of Herbert Leupin and his use of newspaper collage to create illustration. This led to the solution to print my book reversed out on the encyclopedia pages, allowing the old "objective" words to form the new "subjective" information:

 
I also was incredibly inspired by a quote I found in "Graphic Design: A Concise History" by Richard Hollis - "Neue Graphik consummated the desires of the pre-war pioneers for objectivity in visual communication." I think it will be an interesting contradiction to communicate a lack of objectivity in modern information sources by using a layout technique that was designed to portray objectivity.  The following is a simple exercise inspired by this quote:



Next week: layout mock ups!

Design Project B: Research and content

The following is a compilation of my notes and thoughts thus far for my Design Authorship project. I'm very much interested in exploring the vast differences between how people used to seek out information and how they interact with it today. Obviously, the introduction of technology has had an incredible impact on information design. I'm also interested in uncovering how this has impacted objectivity and subjectivity in the so called 'facts' we absorb today.

Brainstorm mapping of information sources:


I bought a small set of Reader's Digest encyclopaedic dictionaries from 1964 and proposed to create something that looks like an official information source from the past on the outside but when you open it, you'd see smatterings of jumbled information taken about the same topic from different online information sources.


From there I began to brainstorm current and historical topics that have a lot of controversy surrounding them.


I want to pursue one topic per letter. I drafted some content for one topic I know I want to do - 'Facebook' - simply by Googling the term:


Next up I'd like to explore layout options.

Wednesday 2 March 2011

Button in action

The following are draft stationary and business card designs for my fictional communications firm: Button.

Standard presentation envelop, letter envelop, stationary and business card:

Click to enlarge

Promotional business card: envelop with "extra" button:

Click to enlarge
Click to enlarge

Tuesday 1 March 2011

Design with a cause

In order to differentiate themselves from the competition, many communications design firms choose to tailor their services toward a particular niche market. Some become specialists in the retail sector while others select the hospitality industry. Still others specifically strive to work with socially-responsible companies promoting sustainable products and ideas. Here are a couple that I found:

Thomas.Matthews


Thomas.Matthews is a London-based communications agency that believes in “good design” which they define as “appropriate, sustainable and beautiful.” Sounds good! Their services include branding, consultation, print and web design as well as campaign development. They strive to ensure all of their projects are completed efficiently and with minimal environmental impact. Their clients include Useful Simple Trust, Shell Springboard, LIFT Festival and Battersea Arts Centre.

Neo


Neo is a communications agency based in Brighton specializing in campaigns for positive social change. They are committed to sustainable communication and work with charities, social enterprises and public sector organizations. To them, “Sustainable communication is about making the best possible use of people, pound and planet to deliver maximum impact from minimum resource.” Neo’s clients include ActionAid, National Health Service, World Wildlife Fund and Greenpeace.

My thoughts

I’ve always known that as a communicator, I would also strive to work with organizations that share a similar set of ethics as my own. Why? Well, I guess firstly, to make it easier to sleep at night. Knowing that my work hasn’t indirectly or directly made children too fat, the world too hot or The Man too rich would be nice. Secondly, it’s just easier to come up with creative design solutions for a cause that you believe in. Because, at the end of the day, most communications design aims to persuade people to do or believe something and if you’re already on board, then you’re one step closer to knowing how to guide others to follow suite.